There is no cosmic law that states artists must suffer many long years and demeaning day-jobs before a window of opportunity cracks open just enough to hop on through.
Fellow deviant Brian Kesinger is a case in point.
His first “day-job” in 1996—he was hired straight out of his senior year of high school—was drawing Tarzan for Disney.
Brian stayed at Disney and he considers every day there a part of his ongoing education as an artist. He most recent